We spent a good sized chunk of our time in Santa Monica, in a lovely rented house in a leafy, mostly quiet neighborhood — I say mostly because it lies directly in the flight path of the Santa Monica Airport. The planes did not bother us at all, even though they swooped above us at regular intervals. I imagine it would be more of a problem if you lived on that street year-round and had to deal with the planes all of the time. (see the bottom of this post)
In the course of the week, I found that “nearby” highlights in Los Angeles are nowhere near each other, even if they look cheek-by-jowl on a Southlands map. For instance it took FOREVER to go from Santa Monica to the Los Angeles County Museum of Art, but it was worth the extremely long trek. I especially loved the Zodiac heads sculpture by Ai Weiwei, now on exhibit at the Broad Contemporary Art Museum at the Los Angeles County Museum of Art. The heads – a rooster, a pig, a dragon, and a toothy sheep, among others –were beautiful and unsettling. All of them stare down from six foot spikes, and bare their teeth. They stand in judgment of the viewer. I read that Wei Wei based this sculpture on a looted work of art, erected in China by Jesuits and and pillaged by invading French and British forces in 1860. Most of the animal heads in that garden – save for the ones that inspired the animal heads in Wei Wei’s magisterial work, were carted off or destroyed. “You can scarcely imagine the beauty and magnificence of the place we burnt,” lamented the regretful Charles George Gordon, the British captain who led the mission.
(Fortunately, no one was seriously injured in that crash. Still, these good folks should think about moving the airport some place else. I guess the other alternative is moving the houses, but that would be harder.)